Novels

Novels

Someone once described my first novel Bad Patches as a “punk existentialist” novel. I thought this an apt description. Written in the early Eighties, when punk was still alive and kicking in the UK (“Anarchy In”), the central character, Dave Green, is abrasive, abusive, resentful, unpleasant to be around, and generally repellent—though not without a certain rough charm. He wants to make it in modern England as an artist, but is condemned to be either unemployed or working in an off-license in Earl’s Court (where I used to live). He drinks a lot, chases girls, and says nasty things about his friends (Mick, in particular, a big violent lad, perpetually drunk). But he is also an existentialist of sorts: a stranger in an alien world, uncertain of his values, but above all authentic. Oh, he is authentic all right, authentic to a fault. Dave speaks his mind, he acts freely and with abandon, he doesn’t sugarcoat it. He is an artist, after all—a believer in the truth, no matter how ugly. He is brutally honest, a Johnny Rotten of the art world (and off-license). He belongs with the characters in the TV sit-com “The Young Ones” (a parody of the earlier Cliff Richards pop song of that name). The novel itself is a comedy, though certainly of the wincing and whining kind. It is of its time, politically and philosophically. John-Paul Sartre meets Rik Mayall: nausea and nastiness (but you have to laugh).

            My second novel, The Space Trap, written in the early Nineties, is very different. The central character, Alan Swift, is a dull dad working in an insurance office. He lives in his imagination and dreams of escape. There is nothing punk about him (post-punk, you might say). He is persecuted by his humdrum environment: the moths that invade his flat, the shattered windscreen, the annoying co-workers, the demanding and unsympathetic wife (as he sees it). He’s gotta get outta this place. His world resembles that of the British TV series The Office, which came along several years later. Like David Brent, who also works in a dull office but lives in his imagination, Alan Swift is subject to unconscious forces he cannot control. As it happens, Ricky Gervais studied philosophy at University College London, where I used to teach, but he came along just after I had left. I have often wondered if he read my novel, because the office I describe is remarkably like the one he created. But in my novel Alan does escape to the world of his imagination—he moves to New York, leaving his family behind and not telling them he is going. I used to call this novel a Kantian soap opera: not punk existentialist but working stiff psychoanalytic (Kantian because of the emphasis on the inescapability of space). It also is a comedy, though gentler than Bad Patches, more sad-sentimental and domestic-depressing (but you have to laugh).

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Einstein and Hume

Einstein and Hume

It is well known that Einstein’s Special Theory of Relativity was influenced by his reading of Hume’s Treatise. People sometimes applaud this for revealing Einstein’s openness to philosophy. To me it suggests a different lesson. Einstein will have read Hume from the perspective of contemporary positivism, interpreting him accordingly. A.J. Ayer also claimed Hume as his forebear. The Treatise is a youthful work compared to the Enquiry, which is more careful in its formulations (and perhaps also in its thoughts). Was Einstein taken with Hume’s insistence that every idea must be backed by an impression? We have no sense impression of time as understood by Newton, so Einstein might well have concluded that our only idea of time is derived from impressions of clocks. This then shaped his physics of time. That would explain a lot and raises the question whether Einstein’s view of time was shaped by old-fashioned empiricist positivism. The actual Hume, as recent scholarship has shown, is far from such a philosophy, so Einstein’s theory might well have been influenced by his misreading of Hume. Can it be defended without this kind of backing?

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Easy and Hard Problems

Easy and Hard Problems

It has become customary to speak of “the hard problem of consciousness” and “easy problems [of consciousness]”. I think this is an unhelpful way to talk; it is too simple-minded. In the first place, we should not say that consciousness itself is a hard problem; rather, its relation to the brain is a hard problem. That is, the brain-consciousness problem is a hard problem. There is nothing about consciousness as such that is particularly perplexing; it’s not like the quantum world or the behavior of schizophrenics. On the contrary, much of consciousness is well known to us and not a source of puzzlement (we don’t wake up every morning and feel bemused about our consciousness). Consciousness is only a major problem in relation to the brain, and only because of the “explanatory gap”. The problem is how the brain could produce consciousness (if “produce” is the right word): so, it is really a problem about the brain. We should be speaking of “the hard problem of the brain”, i.e., the problem of how the brain contrives to generate consciousness. We can explain how the brain produces behavior (more or less), but we can’t explain how it produces conscious experience. It is the mind-brain problem that is hard. But is there any easy part of that problem? Don’t say, “Yes, because explaining behavior is (relatively) easy”; that isn’t an aspect of the mind-body problem. I suggest that there are no easy explanatory mind-body problems to speak of; all the problems are hard. True, it is relatively easy to establish psychophysical correlations and psychophysical causation, but these are not explanatory problems. Nothing about consciousness is explained by brain science: not its subjectivity, not its intentionality, not its rationality, not even its propositionality. So, there are no easy mind-body problems of an explanatory nature—though there are easy behavior-body problems. There are, however, easy problems of consciousness: its general characterization (“there’s something it’s like”), its contents at a given moment, who has it and when, its various types (perception, thought, emotion, sensation, etc.). It is therefore quite misleading to say baldly that consciousness is a hard problem; or that some parts of the mind-body problem are easy. Some (most?) of consciousness is easy, and all forms of the mind-body problem are hard. We do better to speak of easy and hard problems of the brain: behavior easy, experience hard. Also, we should not give the impression that only the conscious part of the mind raises a hard mind-body problem; the unconscious mind raises one too.[1] All in all, the usual way of talking these days is massively misleading and should be abandoned.

There are other defects in the received terminology. First, it is too dichotomous: we are offered a two-way distinction between easy and hard problems. But surely, we need finer distinctions than that: we need really easy problems, easy-ish problems, pretty hard problems, hard problems, super hard problems, and terminally hard problems. Difficulty clearly comes in degrees and is not binary affair. Maybe the various mind-body problems vary in their degree of hardness, while all being pretty damn hard. Second, the standard talk makes no allowance for the possibility of subject-relative hardness:  perhaps no problem is hard simpliciter but only hard for this or that form of intelligence. Then we should speak of the “hard-for-us problem of X”. Third, the use of “hard” here fails to signal an essential feature of the type of problem it purports to describe, namely that the thing in question is a mystery. When Chomsky first introduced the division of question types into two kinds he spoke of “problems” and “mysteries”, not of “easy” and “hard” problems. This avoids suggesting that serious scientific questions are easy to answer, and it signaled that some questions move into a region beyond the merely “hard”: these questions completely baffle us, are difficult even to formulate, and suggest no workable methodology for their eventual solution. The word “mystery” captures this category of questions perfectly.

A question seldom asked by those who favor the “easy-hard” terminology is whether it generalizes beyond the case of the mind-body problem. I would say yes (though preferring the “problem-mystery” terminology). There are easy problems of matter and hard problems of matter: how to calculate a trajectory is easy, understanding quantum theory is hard. And there are other problems in physics that deserve to be called hard, which have been discussed elsewhere.[2] There are also hard problems in biology, notably the origin of life on earth, compared to easy problems (what species humans evolved from, for example). Some fall between these extremes, like the question of why sex evolved (this one might be categorized as “surprisingly hard”). Then we have moral problems: it is easy to see that one ought to return what one has borrowed but hard to decide what we owe to future generations. Again, we must avoid binary thinking and allow for all manner of gradations and varieties of difficulty, but it is certainly helpful to rank outstanding problems on a scale of hardness. I myself think that intentionality is an easier problem than subjectivity, though both are up there in degree of difficulty. The simple “easy-hard” distinction is really a way to avoid serious thinking not an example of it. Like many a catchy label, it hampers rather than helps.[3]

Colin McGinn

[1] See my paper “The Mystery of the Unconscious” in Philosophical Provocations (2017).

[2] See my Basic Structures of Reality (2011) and We Have No Idea, by Jorge Cham and Daniel Whiteson (2018).

[3] It is true that in “Can We solve the Mind-Body Problem?” I described consciousness as the “hard nut of the mind-body problem”, but I never subscribed to the “easy-hard” distinction as it came to be formulated subsequently. Nor did I ever use the phrase “the hard problem of consciousness”.

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Value Realism and Metaphysical Mystery

Value Realism and Metaphysical Mystery

Probably the central question in ethical theory, and the most difficult, is whether value is objective. Is pain, for example, intrinsically bad or is this just how we describe it? Was pain bad before there was anyone around to think it bad? If pain is objectively bad, what kind of property is this, and how does it relate to the felt quality of pain? Can value exist in a world without being attributed by anyone? Is it part of what we call objective reality, as real as the properties of physics or psychology? Many people have thought that this cannot be—that value must be a projection of our attitudes. Nothing is good or bad but that thinking makes it so. So, if we are to have an ethics, it must not depend on the existence of objective value. Attempts to argue against objective value include the propositions that (a) it is not a perceptible property of states of affairs, (b) it is not a causal feature of the world, and (c) it is “queer”. These points are not mistaken, but there are plausible responses to them: perceptibility should not be taken as a mark of reality, on pain of excluding unobservable entities; the causality criterion rules out mathematical objectivity too; “queer” is merely a derogatory term for what is not a scientific fact and cuts no argumentative ice. However, it seems to me that there is a genuine non-question-begging reason for suspecting objective values, which needs to be articulated and, if possible, defused. This reason makes suspicion of objective value perfectly intelligible, but there is a way to blunt its force as an argument against value realism (VR). The matter, though, is obscure and requires diligent examination.

       We can begin with the familiar concept of supervenience. It has generally been accepted that values supervene on non-value facts: if two subjects are exactly alike in all their physical and psychological properties, then there can be no difference in their value properties. For example, if two pains are exactly alike in their felt character, then they must also be exactly alike in their degree of badness (other things being equal). Let’s accept that proposition; then the question is what the nature of this supervenience is. And here we immediately run into difficulties: how can a value fact supervene on a non-value fact? Either they are the same or they are not. If they are the same, then we have the supervenience of pain on itself, which is trivial, and not what was intended. If different, then we have honest-to-goodness supervenience of one type of property on another; but how is this supposed to work? How can a non-value fact necessitate a value? What is the mode of connection? In particular, values are normative, but psychological facts are not, so how can one determine the other? The two seem just slapped together and in imminent danger of coming apart. We are confronted with a metaphysical puzzle, a mystery. Consider another supervenience claim, close at hand: the supervenience of the psychological on the physical. Here we say such things as that pain supervenes on C-fiber stimulation, but we have no idea of the nature of such supervenience—what makes it happen, what explains it. It is left as a brute fact, a metaphysical enigma. This is not a type of transparent necessitation. So, the sensation of pain is flanked by two mysteries of supervenience: it supervenes on the brain, and badness supervenes on it. None of this is intelligible; not to us anyway. When we try to grasp how pain links to value, we are left at a loss: do we feel badness as we feel the pain that is bad? We want to say that the badness is somehow in the pain not merely set beside it, because it is so integral to pain; but how can that be—how can the normative be in the non-normative? The nexus seems unintelligible, even more so than the mental-physical nexus. Thus, we find it hard to see how value can exist in the world. We then recoil to the position that it is not in the world after all but projected from outside by the judging mind. So, it is not as if the troubles of existentialist ethics (EE) are avoided by value realism[1]; value itself has problems of intelligibility. Or so we are naturally inclined to suppose. The danger of moral nihilism then looms.

       Is there any way out? There is if you are hardened to mystery, a card-carrying mysterian: for mystery is in the eye of the beholder. We can consistently maintain that the pain-badness nexus is unintelligible to us but that nevertheless it really exists—just like the brain-mind nexus. No doubt this is disappointing, but it’s better than having to abandon morality altogether, or swallow the thin gruel offered by EE. In other words, the price of keeping morality is acceptance of a metaphysical mystery, which anyway is unavoidable. There is no objection to value realism based on metaphysical mystery, only an acceptance that not everything that exists can be made sense of by us. To put it differently, we cannot form a picture of how value exists in the world—a kind of geometry of objective value—but we can affirm that it exists, or else there is no distinction between right and wrong (given the theoretical options). We know that pain is bad, intrinsically, essentially, in its very nature; but the shape of this fact eludes us (it certainly doesn’t fit our spatial intuition). Once we accept that pain is intrinsically and objectively bad, however difficult it may be to form a conception of this, we have a clear path to morality: it is wrong to cause pain in sentient beings (unnecessarily) simply because pain is inherently bad. The same kind of story can be told about other aversive psychological states such as depression, fear, anxiety, despair, hopelessness, and so on.

       This diagnosis does two things for us: it explains why we think VR is problematic, and it assures us that this thought is not to be taken too seriously (because it doesn’t show that VR is false). What it tells us is that there is a metaphysical mystery at the root of morality, which is why moral philosophy has the history and contours that it has. It explains the appeal of EE as well as the failings of EE theories. EE stems from perfectly understandable causes, indeed from profound causes; but it is not acceptable as a moral theory and it is not compulsory. We can therefore relax back into commonsense morality while accepting that common sense rests on metaphysical mystery. Yes, pain is actually bad in itself and not by some sort of decree, human or divine, but this simple fact is not easy to make metaphysical sense of. In this it joins a whole host of other problems traditionally assigned to philosophy.[2]

       Is it possible to know what pain is and not know that it is bad? No: I know just by introspection that pain is bad, and this knowledge is certain. How I know this is a difficult question—it raises epistemological mysteries (like mathematics). These epistemological mysteries must be set beside the metaphysical mysteries already identified. Together they form a formidable obstacle to easy acquiescence in VR, but to the mysterian there is no inconsistency here, just an acceptance of intellectual limitation. By all means let’s keep trying to resolve these mysteries, thus vindicating VR, but let’s not be deterred from believing VR by their mere existence. Above all, let’s not fall into the arms of EE simply because we find ourselves (understandably) puzzled by VR. For what is not puzzling when you get right down to it?[3]

       About the metaphysics of pain, I would say two things: pain is inextricably bound up with states of the brain, though not in a way we understand; and it is also inextricably bound up with the value of badness, though not in a way we understand. The brain and badness are both somehow in pain, constitutive of it, part of its very being: but we really have no idea how this can be true. Thus, we have both the mind-body problem and the mind-value problem. However, there is no need for us to go eliminative about the mind or nihilist about morality because of these problems, tempting as that may be.  The mind is somehow “in” the brain and value is somehow “in” the mind—but we don’t understand what “in” means here.[4]

[1] See my “Existential Ethics and Value Realism”.

[2] Not just the mind-body problem but also problems about causality, space, time, matter, necessity, free will, meaning, knowledge, number, and so on.

[3] I know that many readers will find the view defended here deeply repellent—they are convinced anti-mysterians. I actually think the view solves an age-old problem that has proved resistant to every other approach.

[4] It is tempting to say that the mind is an aspect of the brain and badness is an aspect of pain, but this word, though suggestive, has little explanatory force.

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Existentialist Ethics and Value Realism

Existentialist Ethics and Value Realism

By “existentialist ethics” I mean ethical theories according to which ethical precepts or principles are determined by the moral agent’s acts of choice and have no basis in objective reality. They are imposed not encountered, invented not discovered, projected not detected, endogenous not exogenous, subjective not objective, human not extra-human, internal not external. Existentialist ethicists include Sartre, Ayer, Hare, Mackie, and anyone who thinks that values spring from us and not the world outside of us—anyone who thinks values spring from our attitudes.  By “value realism” I mean the view that values exist independently of our acts and attitudes; they are in the world as it is prior to any choices, decisions, or posturing on our part. They are the basis of our moral beliefs not the product of them. They are objective facts of nature, as real as anything. Awareness of them is what grounds our moral attitudes and practices. I will argue (a) that value realism (VR) is the only alternative to existentialist ethics (EE), and (b) that EE is demonstrably inadequate as an ethical theory (or type of ethical theory). So, it is either moral nihilism or moral realism, with nothing in between.

       Philosophers and others have certainly felt that those two alternatives are unacceptable and that it is possible to contrive less rebarbative moral theories. Thus, we have emotivism, prescriptivism, divine command theory, utilitarianism, deontology (Kantian and other), virtue ethics, and contractualism–in opposition to full-blown Sartrean existentialism. I think all these are the product of wishful thinking: their flaws are easy to discern and are really doomed attempts to avoid the dilemma I sketched above (nihilism or realism). The common problem is that all these theories introduce deep arbitrariness into moral thought (unless they are taken to presuppose VR): since there is nothing (allegedly) objective to ground moral thought, it is left as a free-floating enterprise subject to no rational constraint. This has been a constant refrain in reaction to such theories, but I don’t think the depth of the problem has been properly appreciated: it is pervasive and principled.

Let’s go over the theories in question, beginning with classic Sartrean existentialism (I will try to be brief). This theory maintains that we live in a value-free world, so that we must fall back on our own free decisions, which reflect the nothingness of human nature (“existence precedes essence”). We freely choose in an ethical void; we commit ourselves to values that have no objective validity. Authenticity is facing up to the inescapable absence of objective value and simply choosing what values we shall live by. The problem is that such a choice must be inherently arbitrary: you can choose any value system and not be accused of error. Since you choose in a vacuum, anything will be as defensible as anything else: there is nothing to stop you simply reversing ordinary bourgeois morality and replacing it with such precepts as “murder is right”, “stealing is good”, “genocide is meritorious”. We cannot say that anything is wrong in itself, only that we choose to describe certain things as wrong on no other basis than that we so decide. Anything else is deemed “bad faith”.

       It is easy to see that the same problem afflicts emotivism and prescriptivism. Since nothing objective (“factual”) grounds our emotional reactions, there can be no reason to prefer one kind of evaluative emotional reaction to another, except such considerations as convenience, popularity, and prejudice. If a person reacts emotionally to murder with a kind of cold thrill, then there can be no objection to him: that’s just the way he feels. If you feel an emotional solidarity with the Nazis, who is to gainsay your emotion? There is nothing out there to show that you are wrong. Prescriptivism has the same difficulty: you can universally prescribe anything so long as your prescriptions are consistent; there can be no such thing as a false prescription. You can choose your prescriptions according to whim, which means the choice is arbitrary. There is no objective criterion of correctness for moral prescriptions. We cannot say that only certain prescriptions follow from what objective values require, these being the morally right prescriptions to make.

       You might think divine command theory avoids the problem of arbitrariness, since we can appeal to God’s commands to ground our moral beliefs: we prescribe what God prescribes, and feel what he feels. The problem here is not that God doesn’t exist; it’s that the same objection applies to God. He could choose otherwise and then that would become the moral law (the Euthyphro problem). God’s ethics is essentially an existentialist ethics. If God is a prescriptivist about moral language, then his moral prescriptions are as arbitrary as ours, there being nothing that grounds them except free choice. He too is shooting in the moral dark.

       Surely utilitarianism is not subject to the same problem, since it identifies goodness with pleasure and badness with pain (or something similar)—and these are clearly facts about the world beyond the judging subject. Indeed, but that is to be a value realist; it doesn’t suppose that value is a freely given human projection onto the world. On the other hand, if you insist that value is so projected, and is not intrinsic to pleasure and pain, then you are back with the arbitrariness problem. For again, the projection may not follow the standard distribution: we could project goodness onto pain and badness onto pleasure without violating any objective facts. Absurd, no doubt, but not contrary to the EE playbook. Either pleasure and pain are intrinsically, objectively, good or bad, respectively, or they are so only by means of free decision—so it’s either VR or EE with nothing in between.

       What about deontological ethics?  Again, we have the same problem: are our duties and obligations inherently good or is it a matter of free decision? If the former, then we have VR; if the latter, then we have EE and arbitrariness. Is promise-keeping good in itself or is it only good because we deem it so? Does it have intrinsic value or only imposed value? If the latter, then there is no basis for erroneous deeming; any deeming is as good, or bad, as any other (subject to consistency requirements).

       Virtue ethics is the same: either the virtues are inherently good (virtuous) or they are good because we decide they are, projecting goodness onto them; and the same for the vices. The former is a type of VR, the latter a type of EE. Clearly, we can’t just stipulate what is to be a virtue—as if we could decide that it’s virtuous to protect rocks but not children. But why not if being virtuous is something freely conferred by suitable mental or verbal acts? Virtue ethics is not an alternative to VR or EE, but presupposes one or the other of these positions.

       Contracts are freely entered into by consenting parties and may contain all sorts of agreements; so contractualism will be open to the arbitrariness objection. You and I may both agree that I can whip your children if they trespass onto my property so long as I feed them afterwards, but that would hardly be a sound moral rule. Only if we build correct values into our contracts can they be expected to produce sound moral conduct; the contract by itself cannot do this. Contracts can’t confer values by themselves, so they can’t be the basis of morality. Contractualism is really a kind of social EE: not the solitary subject legislating value, but the social group willing value into existence by mutual consent.

It seems, then, that all the standard theories fall into one camp or the other: they either tacitly assume value realism or they endorse some form of existentialist ethics. There is no middle ground—no non-realist account of morality, as we have it. Morality implodes under existentialist principles. But we cannot infer from this that realist ethics is victorious, attractive as that may seem; for it may be that there are fatal objections to VR. In that case, moral nihilism would be the indicated conclusion: there is just no such thing as right and wrong. It can’t be a matter of objective mind-independent values because there are none such, and it can’t be a matter of humanly imposed values because that would be to make morality arbitrary; so, it can’t be anything. Obviously, then, we must enquire into the viability or otherwise of value realism, which I leave to a separate paper (“Value Realism and Metaphysical Mystery”).[1]

[1] Obviously too, there is a substantial historical background to what I say here; I make no claim to originality. It was Iris Murdoch  who first pointed out the similarities between Sartre and various Oxford philosophers (Ayer, Hare).

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Four Women

Four Women

I have just read Benjamin Lipscomb’s The Women Are Up to Something and found it an interesting and readable book. I met Elizabeth Anscombe and knew Philippa Foot and admired Iris Murdoch from afar. There seems to be a subtext to the book that is never explicitly stated, namely that it was their being womenthat enabled them to overthrow the prevailing moral philosophy at Oxford in the middle of the last century. The idea would be that men are morally desiccated and divorced from “real life” while women are in touch with lived reality and more open-minded. That may or may not be true, but the case of the four women (Mary Midgley being the fourth) doesn’t prove it. Virtue ethics has been advocated by many men since Aristotle (a man!) invented it, and criticisms of Hare’s moral philosophy have come from male philosophers as well as female philosophers. One would need to do some kind of statistical survey to establish that women are better at this stuff than men, and no such survey has ever been done. I think myself that it was the individual qualities of these four women that enabled them to get beyond the Ayer-Hare axis. My own view is that emotivism and prescriptivism are both preposterous moral theories.

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Necessity and Time

Necessity and Time

What is the connection between necessity and time? Time is not usually mentioned in discussions of necessity, but it is easy to see that the two notions are logically connected. If a proposition is necessary, then it is true at all times. In fact, it is necessarily true at all times: it can’t be necessary and not true at all times. This holds for analytic necessity and metaphysical necessity (if this table is necessarily made of wood, then it is made of wood for the duration of its existence). Contingent truths, on the other hand, can be true at one time but not at another (the table may be brown at one time and white at another). It is not sufficient to be necessary that the proposition is true at all times, since contingent truths may be always true, but it is necessary. Thus, necessity entails temporal universality. Necessities are not changeable. This is part of our ordinary understanding of necessity. But it is not made explicit in standard treatments of necessity. If we say that necessity is truth in all possible worlds, we can be asked, “Do you mean true in all possible worlds at a given time?” We had better not mean that, since it is possible that at earlier or later times the proposition might not be true; we have to mean “all possible worlds at all times”. So, temporal universality is tacitly assumed—as it must be. The concept of time enters into the concept of necessity. Modal logic is bound up with temporal logic. Modal thinking is connected to temporal thinking. It might even be that the earliest notions of necessity were purely temporal: the necessary is simply what holds at all times and not just some. Then it was noticed that this is not quite strong enough, because some types of necessity require more than temporal universality (contingently true universal quantifications over time). But the concept must contain this kind of temporal fact. The concept of the necessary includes the concept of the eternal. To put it differently, we can infer from a necessary truth how things were in the past and how they will be in the future, whereas we cannot do that for a contingent truth. Necessity gives us vast knowledge of past and future: it will never not be true that 2 + 2 = 4! It’s like a kind of godlike knowledge, enabling us to survey all of history, past and future. Perhaps this is why necessary truth has always been held in high regard, while also suspected of hocus-pocus.

            This aspect of necessity is regularly ignored, but it needs to be recognized if we are to have a full account of the concept. However, in another respect standard treatments say too much: does our concept of necessity really contain a reference to possible worlds? Suppose I say that this table is necessarily made of wood: do I thereby make reference to these very big objects called “worlds” (each as big as the actual world)? Isn’t this an imposition on our ordinary meaning? Doesn’t it over-intellectualize vernacular modal discourse? Surely the only object I refer to when I make my comment about this table is this table: I say that in all possible states of this table it is made of wood. I don’t say anything about worlds that contain multitudes of otherobjects. I refer only to possibilities relating to this table: I say that it, and it alone, must be a certain way (at all times). My ontological commitments do not extend to whole possible worlds, or even to other objects in them. I might not even believe in such entities. So, this concept should be subtracted from our account of the concept of necessity, and the concept of time added to it—not worlds but times.[1]

[1] This is one of those cases in which a certain formal apparatus has been allowed to cloud our vision: we see the quantifier “for all worlds w” and we don’t think much further about the concept it is intended to represent.

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Notes on Creativity

Notes on Creativity

It is a curious fact that creativity is both extremely common and also very rare. Everyone has it to a marked degree, but it is not given to everyone to be markedly creative. It is both easy and difficult, effortless and effortful. How can this be? The areas in which it is commonplace, indeed universal, are primarily dreaming and language: everyone is capable of highly creative dreams, though without training or labor; and everyone learns a natural language, noted for its creative potential. Human beings are endowed with great powers of creation in these two areas, which they simply take for granted. To these might be added fantasy and humor: everyone can fantasize the wildest things, and everyone has the ability to see a joke no matter how novel. We don’t learn either of these things at school or by parental instruction; they come to us naturally, automatically. We are evidently born with the capacities in question. But in other areas where we use the word “creative” things are quite the opposite: as with musical creativity, or artistic, or scientific, or literary, or architectural, or mathematical, or culinary. Here few people are particularly creative, and it takes considerable effort to acquire these kinds of creativity; they are far from effortless and automatic. Nor do they spontaneously appear in the second year of life. But why not if creativity is a natural psychological kind? If the human brain allows for easy creativity in dreaming and language, why not in other areas? If there is a single mental faculty called “creativity”, shouldn’t it be more uniform in its manifestations? To answer this, we would need to know a lot more about creativity, but we are notoriously ignorant of the nature of creativity. I will make a stab at some elementary reflections.

            First, we may observe that neither of the two easy forms of creativity is derivative from the other. The dreaming capacity is not a special case of the language capacity and vice versa. They evolved independently and the principles that govern them are not identical. So, we know that creativity can take very different forms. Both involve the creation of novelty, to be sure, but this may come about by different mechanisms with different sorts of output (dream content or sentences). There is likewise no reason to suppose that the hard forms of creativity derive from the easy forms by some sort of transformation or metamorphosis. Let us refer to these forms as type 1 and type 2 creativity, respectively; then we can say that type 2 creativity is not the result of type 1 creativity—not without substantial enrichment anyway. Type 1 is certainly not sufficient for type 2, even though it may be necessary (you obviously can’t have literary creativity without a more basic linguistic creativity). Perhaps the brain mechanisms that underlie dreaming and language also operate in the case of the more “sophisticated” forms of creativity, but clearly there is no identity or reduction linking the two. It may also be observed that other animals seem to be distinct also-rans when it comes to creative power, though many dream and possess symbol systems; no Mozarts or Picassos there. The other striking fact is that the type 2 cases are also not transferable: you can be creative in music, say, but not in the other areas. This is surprising, given that each area shares a good number of surface features: time of emergence, similar personality characteristics, statistical distribution in the population. One would think that a genius in one area might be a genius in another, but this seldom happens. So, these types of creativity seem strongly modularized—as much as in the type 1 cases. You might begin to wonder whether the term “creativity” is too general, too homogenizing. Perhaps there are many distinct creativity modules operating according to different principles; all they share is the property of novelty (not that this is a well-defined property either). That is, creative mental acts involve what Chomsky called “stimulus-freedom”: they are not predictable from the properties of the stimulus but seem to reflect more endogenous (and obscure) activity. But beyond that they may be quite heterogeneous.

            What mental activity is not creative? The prime example is perception: here we have predictable, even mechanical, production of the percept (hence Fodor’s “encapsulation” property). The visual system does not inject creativity into the processing of the proximal stimulus, though it certainly adds to it. When you see things, your brain is not exercising its creative powers: there is no genuine stimulus-freedom. Animals perceive as we do, but we wouldn’t say they are being creative in so doing.  Nor is ordinary deductive reasoning creative: it follows strict simple rules. Computation is not creation. However, we know so little about the creative act that it is difficult to be dogmatic; we are operating at the level of hunches and intuitions. We have no science of creation, as we have a science of perception—presumably because perception is not creative. Creation is a mystery, but perception is not (in the same way at any rate). Is the body ever creative, not just the mind? Even that question is hard to answer, and not only because the division of body and mind is itself difficult to articulate. Certainly, much of the creative process is unconscious, both type 1 and type 2, so not part of the conscious mind.

            I will venture a hypothesis about the difference between type 1 and type 2 creativity in respect of their distribution. Type 2 creativity is not distributed equally in the population; there are considerable individual differences. But type 1 creativity is egalitarian and universal (save in abnormal cases). Why the difference of frequency? My hypothesis is that dreaming and language are largely innate and species-specific, so everyone has them; but the type 2 cases are not innate in this way and are not species traits. They are like athletic ability not like basic anatomy: they have to be worked at: they don’t come with the genes. No genetic mutation led to musical creativity as a species characteristic, but genetic mutations led to dream and language creativity. Mozart was born to dream and speak, like the rest of us, but he had to work at his music; it wasn’t just in there waiting to unfold. He might never have been a musical genius, but he was sure to become an expert dreamer and speaker—just like everybody else. Some types of creativity are pre-programmed and some are dependent on environmental circumstances. It’s not the inner workings of the faculty itself that makes the difference; it’s the origin of the faculty. We can conceive of musical creativity being a species-wide innately determined trait, like dreaming and language, and we can conceive that these latter two traits might be acquired later by hard work and conducive circumstances, varying a good deal from individual to individual: but given their actual origins, the former are type 2 and the latter type 1. All are bona fide cases of creativity, but their path into the human mind is different. Some come from nature while others require nurture.[1]

Colin McGinn

[1] Creativity is a topic usually avoided by psychologists and philosophers (an exception is Arthur Koestler’s The Act of Creation, 1964, which I read as a psychology student around 1969). Perhaps it is time to get creative about creativity.

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